Review: Uncanny X-Men Volume 4 - Vs. S.H.I.E.L.D.

Following a heinous Sentinel strike, the war bubbling between Cyclops’ X-Men and S.H.I.E.L.D. reaches a fever pitch. Unwilling to sit idly by while more mutants are harmed, Cyclops takes the fight to the international spy organization apparently responsible for the Sentinels’ actions. Then, Dazzler is finally freed from captivity at Mystique’s hands. Angry and bitter over what she’s been through, she intends to get revenge on the shapeshifting femme fatale.

Uncanny X-Men Volume 4: Vs. S.H.I.E.L.D. collects Uncanny X-Men #19-24, written by Brian Michael Bendis and with art by Chris Bachalo and Kris Anka.

This collection is typical of Bendis’ ho-hum direction on the X-Men titles during the Marvel Now! initiative. It’s all build up with no pay-off. The X-Men’s conflict against S.H.I.E.L.D. had been simmering since the onset of this title and “Vs. S.H.I.E.L.D.” attempts to resolve that as a four issue arc. After a Sentinel attack, an incensed Cyclops determines to hold S.H.I.E.L.D. responsible for their actions. This leads to a blow out on the front lawn of the Jean Grey School and the discovery of who is truly pulling the strings. The climax is unimpressive and the reveal isn’t terribly shocking, so the arc feels somewhat deflated as a whole. As can be expected from Bendis, there’s a lot of dialogue and some great character moments (there’s a great scene telepathic exchange between Cyclops and Maria Hill, for example). The primary narrative itself just didn’t click for me. Personally, the more interesting story here involves Mystique’s usage of Dazzler as her personal mutant growth hormone factory, but this is relegated to subplot status and is only referenced cursorily in the aftermath.

The “Vs. S.H.I.E.L.D.” arc leads into the tie-in for Original Sin, which is framed as a two-parter named “The Last Will and Testament of Charles Xavier.” In it, She-Hulk obtains Xavier’s will and is responsible for reading it to those named in the contents. Cyclops is hauled back to the Jean Grey School, where several “shocking” revelations are made about Xavier’s past. The quotes are necessary as Bendis seems to be putting in overtime to really try and surprise readers with plot twists. The problem is the twists are unwanted in every possible way. I was rolling my eyes so hard I’m surprised I didn’t catch a glimpse into the back of my brain. Consider this a spoiler warning. The first big plot twist is that Professor Xavier is married to Mystique and so all of his property now belong to her. It’s a really unnecessary development that feels like it’s either a remnant of the Ultimate Universe or was inspired by the First Class trilogy. Either way, it feels out of place and is just plain messy. It’s bad enough that Bendis treats Mystique like she’s the only damn X-Men villain around. The other twist is that there’s this uber powerful mutant that Xavier has kept secret for decades and now the X-Men have to go find him before he destroys everything. It’s a revelation that left me with a feeling of a déjà vu since it seems like a re-packaging of Proteus and Jean Grey.

Uncanny X-Men Volume 4: Vs. S.H.I.E.L.D. doesn’t ever reach its full potential. It’s bogged down by far too much dialogue and exposition, as well as puzzling plot twists. The artwork done by superstars Chris Bachalo and Kris Anka gives the book a premium feel, elevating the quality above what we’re getting on the story front. Though the cast is likeable and the plot elements are interesting enough, Bendis seems to be spending most of his time setting up future plotlines and recycling old ones rather than creating a compelling arc with an explosive climax.

RATING: C

Review: Earth 2 Volume 3 - Battle Cry

After staging a violent coup, Steppenwolf becomes the ruler of the nation of Dherain and immediately engages in a war with the World Army. The wonders of Earth unite against this threat, but Steppenwolf’s warriors may be too powerful for them to defeat. Meanwhile, Hawkgirl continues her search for answers regarding the death of Green Lantern’s fiancé.

Earth 2 Volume 3: Battle Cry collects Earth 2 #13-16, Earth 2 Annual #1, and Earth 2 #15.1, written by James Robinson and illustrated by Nicola Scott. Additional writing is by Paul Levitz and art by Yildiray Cinar.

Battle Cry is a bit of a mess. Where the previous two collections featured some solid character development, this one fails to deliver on that end and instead focuses on a war between the World Army and Steppenwolf that doesn’t quite get the build-up it needed. There are also numerous subplots – namely the introduction of a mysterious new Batman, Fury’s pursuit of Mister Miracle and Big Barda, and Hawkgirl’s investigation into the death of Sam Zhao. As such, Robinson is throwing too much at the reader and doesn’t spend nearly enough time developing the cast he’s reinvented. I would have preferred for him to focus more on Hawkgirl, Fury, and Big Barda since the few female characters in Earth 2 have very little to do.

There are some highlights to this trade. I really enjoyed Robinson’s take on Commander Steel (named Captain Steel in this series). He manages to reinvent the character’s origin in order to make him more relatable and to increase the diverse representation Earth 2 has become known for. He’s a character I’d loved to have seen more of, but he’s sadly not folded into the main cast. Robinson manages to get in a few good twists as well. The appearance of a new Batman adds intrigue (though the cover to this trade kind of spoils that surprise) and there’s a surprising reveal during the battle against Steppenwolf that I certainly didn’t predict. Finally, Nicola Scott’s art continues to be excellent throughout. The men she draws continue to be scrumptious and I’m glad that she’s finally given more women to draw besides Hawkgirl.

This is the final volume collecting James Robinson’s work on Earth 2 (he is replaced by Tom Taylor by issue 17) and he unfortunately goes out with more of a whimper than a bang. He began the series with a lot great ideas and concepts, reinventing Golden Age characters brilliantly for a modern audience. After two decently entertaining arcs, he stumbled with this collection and ended up delivering a lead-up to Taylor’s run rather than neatly tying up the loose ends of his own. The art and high octane action compensates for this, but the drop in quality is far too noticeable not to lament.

RATING: C+