Review: DC Comics Bombshells Volume 2 - Allies

As the otherworldly Tenebrae descends upon England, the Bombshells are dispatched to eliminate the evil force once and for all. With the combined might of Baroness von Gunther, Edward Nygma, and Nereus on its side, it becomes quite clear that lives will be lost and sacrifices must be made in order to defeat the Tenebrae.

DC Comics Bombshells Volume 2: Allies collects DC Comics: Bombshells #7-12, written by Marguerite Bennett and illustrated by Laura Braga, Mirka Andolfo, M.L. Sanapo, and Marguerite Sauvage.

Allies is the thrilling conclusion to the first year of DC Comics: Bombshells and finally sees the title’s heroines assembling together to fight the Tenebrae. Writer Marguerite Bennett builds towards this final confrontation through a series of interconnected vignettes that develop the protagonists’ arcs and establish the villains. For instance, Stargirl learns the truth about her parentage while Supergirl and Mera team-up to do battle against the Tenebrae beneath the waters surrounding London. Meanwhile, Catwoman and Huntress free Batwoman from the clutches of Brother Night and Wonder Woman does battle against Baroness von Gunther. Each of these narratives are brimming with action and punchy dialogue, particularly the segments featuring Batwoman. Bennett is to be commended for being able to give these characters distinctive voices and for reinventing them for the time period this book is set in.

I am continually impressed by and engrossed in the character work that Bennett does in Bombshells. Mera and Stargirl prove to be the runaway stars of this particular collection, as both are given important arcs and contribute greatly to the final fight against the Tenebrae. We learn that Mera has effectively misrepresented her past, which comes back to haunt her and it threatens to harm the people she cares most for. With Stargirl, she vacillates between her unshakeable desire to be a hero and her deepening insecurities over being a human in a world of superhumans. For both characters, they demonstrate heroism in through selflessness and determination. It’s both endearing and poignant, particularly during the climax (which left me rather teary-eyed). Beyond the inspirational aspects to these characters, Bennett also injects a lot of fun into them as well. Mera’s dialogue is very playful and she even reveals herself to be Wonder Woman’s first kiss. She’s also written to speak in song, which is a really unique quirk.

Mirka Andolfo provides a highly stylized aesthetic that is vibrant and whimsical. It has a vague shoujo-like quality to it, which pairs really well with the tone of Bennett’s dialogue. Marguerite Sauvage’s art is comparable to this as well. It’s very cute and feminine, but she really nails the toughness of these characters (especially Batwoman). Laura Braga’s art is more traditional for the superhero genre, but is certainly amongst some of the best in contemporary comics. I absolutely adore the way she illustrates Wonder Woman and admire just how beautiful all of her characters are. Her action sequences are particularly memorable as well. Lastly, Sanapo captures the pin-up origins of Bombshells quite well with her style. It manages to be both playful and sexy.

DC Comics Bombshells Volume 2: Allies is great fun. It’s fresh, hip, and irreverent, but also retro in all of the right ways. Bennett’s dialogue is dynamic, her character work is nothing short of brilliant, and the action is blockbuster-sized. There’s a lot of depth in Allies as well and it has its fair share of moments that tug on your heartstrings (provided you’re as sensitive a reader as I am). This series also showcases female talent at its finest. The art is polished and electric, while the story itself is cohesive and epic in scale. In an ideal world, Warner Brothers would greenlight a Bombshells movie ASAP and hire Bennett as the screenwriter. Yes, this series is that good.

RATING: A

Review: DC Comics Bombshells Volume 1 - Enlisted

With World War II in full swing, government bigwig Amanda Waller puts together an elite squad of untapped resources – women – to contribute to the war effort. Dubbed the Bombshells, these incredible heroines are sent behind enemy lines in order to undermine the Nazi regime.

DC Comics Bombshells Volume 1: Enlisted collects issues 1-6 of DC Comics Bombshells, written by Marguerite Bennett and with art by Marguerite Sauvage, Laura Braga, Ming Doyle, and various others.

Based off of the popular DC Collectibles line of statues, DC Comics Bombshells re-imagines the iconic women of the DC Universe as World War II era heroines. While the statues were quite obviously created to superficially portray them as little more than sexy 1940s style pin-up girls, the world that Marguerite Bennett and her artists build in this series is nothing short of brilliant. Bennett takes cues from the statues – such as initially portraying Batwoman as a baseball player – and manages to create something wholly unique in the process.

Enlisted largely serves as an origin story for the Bombshells. It introduces each member individually, but focuses primarily on the narratives of Batwoman, Wonder Woman and Supergirl. Batwoman, as mentioned previously, is portrayed as a baseball player who spends her nights combatting crime as a masked vigilante. She is one of the first to be recruited by Amanda Waller and is tasked with venturing to Europe in order to rendezvous with Contessa Selina DiGatti (the DC Comics Bombshells version of Catwoman).  Bennett writes a wonderfully layered Batwoman, examining her relationship with Maggie Sawyer and utilizes her as an almost James Bond-esque kind of a figure within the narrative. Standout moments include her banter with Selina, as well as the gorgeously drawn vignettes of Kate’s time with Maggie prior to her enlistment (Marguerite Sauvage is a total artistic goddess!). Wonder Woman, perhaps as a result of already being a World War II era creation, is left largely unchanged within this universe. Her story plays out much the same – Steve Trevor lands on the Amazons’ island and Diana going off to fight bad guys in Man’s World. What is different here is the inclusion of Mera as Diana’s closest friend and the Amazons seem even more disconnected than usual. Finally, we have Supergirl – who crash-landed in Russia rather than America. Kara, along with her adoptive sister Kortni, enroll in the Night Witches program. When she is discovered to have superpowers, she and Korti become the Russian heroes Supergirl and Stargirl. It’s a fascinating twist, particularly since it allows readers the opportunity to see beyond the American or British involvement in the Second World War. Bennett clearly shows that she’s done her research in that respect. I also love that she seems to reference Justice League Unlimited (or at the very least Justice League United) by linking Supergirl and Stargirl in this way.

I thoroughly enjoyed Enlisted. Its focus on the women of the DC Universe is great, but it’s ultimately the world that Bennett and her artists build that drew me in. I found myself curious as to how she’d re-imagine each Bombshell and seeing how she’d take inspiration from their statues. For instance, Zatanna is a cabaret performer in Berlin who works under duress due to her Jewish-Romani heritage. Bennett also rather hilariously works in Constantine being turned into a rabbit (a rather prominent feature of Zatanna’s Bombshells statue). Beyond that, the dialogue is a major strong point of this series. Bennett really captures the punchy way in which we often envision this era, which creates a constant electric interplay between the characters and injects the book with some rather clever (and often queer) double-entendres and subtexts.

DC Comics Bombshells is fairly unusual as a series for quite a few reasons. It’s outside of the main canon, it’s set in an imagined past and it has a high rotation of artists. That last point is somewhat contentious, as it invites quite a bit of inconsistency in terms of quality. Some artists, unfortunately, aren’t as good as others in this collection and it ends up taking away from the overall aesthetic of the world being built around these characters. That said, I absolutely adore the sheer amount of female talent that explodes out of this book. Bennett is joined by a host of ridiculously talented female artists and, if anything, it ends up proving that badass female artists are not as hard to come by as the industry pretends they are. Marguerite Sauvage handles the art chores in the first issue and totally knocks it out of the park. Her style is very fresh and cute. It seems strange, but I’m also in awe of how she draws hair. Another favourite of mine is Mirka Andolfo, who brings us the art for Harley Quinn’s section of the book. Her style is extremely expressive and vibrant. She’s a perfect match for the zany Harley. Then there’s Bilquis Evely, who is primarily responsible for the Supergirl and Stargirl sections. Her aesthetic is sketchier, but there’s a quality to it that seems to mimic the setting in which those sections are set. Other standouts include MLSanapo and Laura Braga, both of whom get to draw Wonder Woman. Their style is much more traditional in its approach to comic book art.

Aside from the inconsistency in quality brought on by rotating artists, I could not find or admit to a single flaw in DC Comics Bombshells. I love the direction, tone, and dialogue present in this title. Bennett creates an absolutely fascinating world of whimsy and wonder, which is further brimming with a pop art sensibility thanks to its talented artistic creators. There’s also a welcome sense of gravity to it, as Bennett further explores the harsher realities of World War II since some of the book’s characters are Jewish (notably Batwoman and Zatanna) and since a queer character is placed at the forefront (again, Batwoman). As someone who fits squarely into an LGBTQ+ readership, Bennett and DC Comics Bombshells itself offer a sense of both representation and of normalcy amidst such a turbulent setting. In essence, this is the book we need and deserve. DC Comics Bombshells Volume 1: Enlisted is quite possibly one of the best comic book trades I’ve read in a good long while! It’s a must-read for sure!

RATING: A+

Review: Justice League United - The Infinitus Saga

With the galaxy in turmoil as a result of the menace known as Infinitus, the Legion of Super-Heroes travel 100 years into the past in order to prevent him from ever coming into being. There’s just one thing standing in their way – the newly formed Justice League led by Martian Manhunter. He and his teammates are unwilling to accept that an innocent life should be snuffed out due to the possibility of it turning evil later on. Thus begins a battle of wills between the Martian hero and the Legion’s Brainiac 5.

Justice League United Volume 2: The Infinitus Saga collects Justice League United #6-10, Justice League United Annual #1, Justice League United: Futures End #1 and Justice League: Futures End #1. It is written by Jeff Lemire, with art by Jay Leisten and Neil Edwards.

As a whole Justice League United has all the right components to be a successful book. It’s colourful, action-packed, and full of punchy dialogue. It also has arguably the most creative line-up for a Justice League splinter team Post-Flashpoint. From DC Comics’ beloved archer Green Arrow to the new heroine on the block Equinox, the roster is really unique. Of course, it certainly helps that writer Jeff Lemire develops tangible relationships between the characters. Animal Man and Stargirl act like siblings, while the latter forms a father-daughter type of bond with Martian Manhunter. There’s also a slight banter that exists between Green Arrow and Animal Man (unsurprising given the fact that Lemire has written both of their solo series).

The scale of The Infinitus Saga is grand enough to give this book a sense of gravitas. In other words, the events feel like they have substance and consequences. The Justice League aren’t just saving a city or even Earth, they’re saving the universe and the future. I can really appreciate this as too many comics these days get caught up in trying to be trendy or cute or funny to really give its protagonists a conflict that highlights their importance as heroes. Here, our protagonists duke it out on Earth and in space, as they battle against the Legion, Byth and (eventually) Infinitus. The conflict is very real and the stakes are high.

Where The Infinitus Saga falters is in its massive over-sized cast, which is largely due to the presence of the Legion of Super-Heroes. Now, I’m actually a fan of the Legion and think that as a whole they’re a fascinating section of the DC Universe. However, there are so many of them that Lemire himself has to write in jokes to acknowledge this. Their presence in the narrative clutters the flow and distracts from the main characters, which is a shame since the protagonists are truly worthy of further development. My biggest issue, and this is not directly solely at Lemire but at Legion stories in general, is that the Legion of Super-Heroes all too often seem like an amorphous blob of colourful heroes who are defined exclusively by their powers.  Because there are so many of them, there’s literally no way of distinguishing their personalities and developing them equally or even in a hierarchy. In The Infinitus Saga, Brainiac 5 is clearly the star. He’s the most fleshed out member of his team and has a distinct personality. Dream Girl and Wildfire are also given opportunities to shine. Other characters have moments (particularly showing off their powers), but this book will leave those unfamiliar with the Legion lost when it comes to understanding who these characters are.

At its core, Justice League United: The Infinitus Saga is a great sci fi adventure featuring a team-up between a rookie team of fan-favourites and the Legion of Super-Heroes. There’s tons of great action and funny dialogue to keep any reader engaged. This collection has its shortcomings, but it has heart. I can appreciate what Lemire was doing with this book, especially since it captures the optimism, spirit and overall do-right attitude necessary for any incarnation of the Justice League. It’s a solid effort that’s worth a read.

RATING: B

Review: Justice League United Volume 1 - Justice League Canada

While making an appearance at a convention in Toronto, the superheroes Stargirl and Animal Man agree to investigate the disappearance of an anthropolist’s assistant in Northern Ontario. Before long, they are whisked off to space, alongside Justice Leaguers Martian Manhunter and Green Arrow, where they discover a Thanagarian criminal known as Byth intends to unleash a biological weapon upon the universe. Without skipping a beat, the heroes band together to stop this intergalactic menace.

Justice League United Volume 1: Justice League Canada collects Justice League United #0-5, written by Jeff Lemire and illustrated by Mike McKone.

Since their Silver Age debut, the Justice League has had many incarnations and spin-offs. Despite the success of the Justice League International era, none have quite managed to click quite as well with readers as the original seven. Thankfully, Justice League United is more International than Extreme Justice. Lemire depicts the team as a ragtag group of heroes, whose interactions with one another are light and quippy, bringing to mind the humorous underpinnings of what made Keith Giffen and J.M. DeMatteis’ take on Justice League so memorable. Stargirl and Martian Manhunter form the nucleus of the group. Having both been members of the Geoff Johns-penned Justice League of America, they’ve already formed a sibling-like bond that adds stability to this line-up. Likewise, Green Arrow and Animal Man have a teasing brotherly dynamic that’s reminiscent of Blue Beetle and Booster Gold. The focus on developing these two should really be no surprise, given the fact that Lemire was responsible for both of their solo ongoing series.

As far as this collection is concerned, Lemire is at his best when he is developing characters and writing dialogue. He knows how to build relationships, which works well towards forming an organic team dynamic. He’s got a great line-up of heroes and he utilizes them quite well. The problem, however, is in the story itself. The main plot deals with our heroes’ battle in space against the alien Byth, while the subplot explores the struggles of a Cree teenager Miiyahbin Marten as she comes to terms with her unique abilities. The former is terribly generic. When teams are formed, it seems it’s almost always due to some kind of alien plot or invasion. As a villain, Byth is far from being a Darkseid or Despero. He’s not particularly menacing and his alliance with Lobo seems more random than anything else. By contrast, Miiyahbin’s story is gripping and acts as the saving grace for this volume.

From her design to her backstory, Miiyahbin stands out as one of the more unique heroes created in recent years. That’s why it’s so unfortunate that she gets relegated to subplot status. It’s made worse by the fact that her story is rushed to its conclusion, speeding through her origins and confrontation with the antagonist. The opening arc to Justice League United would have been so much more interesting had Lemire inverted the plots, placing a focus on Miiyahbin’s and turning Adam Strange’s origin into the sub. Truth be told, DC Comics would have done well to introduce Equinox in a solo ongoing series as a way of competing with Marvel’s Ms. Marvel series.

Justice League United has potential. It features a strong roster with room for a lot of character growth. Sadly, this first collection simply lacked the excitement and originality necessary to set it apart from other team books. Given the fact that subsequent issues appear to focus more on science fiction than fantasy, it’s really no surprise as to why United was never really able to find an audience.

RATING: B-