Wednesday, 10 April 2013

Review: Love, Marilyn



            Marilyn Monroe is easily the most iconic film star of all-time but also one of the most enigmatic. For decades, we have been fascinated by her legend and her timeless beauty yet most have only the faintest idea about who she really was. We remember her soft voice, her blonde hair, that subway grate scene from The Seven Year Itch and her rendition of “Happy Birthday” to President Kennedy but very few know the specifics of her life. The documentary Love, Marilyn seeks to remedy that by offering an unprecedented look into the tragic actress’ life through interviews with those who knew her and recently uncovered letters, poetry and diary letters written by Marilyn.

            For fans of Marilyn Monroe, Love, Marilyn is a very emotional experience and is bound to bring you to the brink of tears. We see how tormented Marilyn was throughout her life and witness second-hand the tragedies she faced – from being orphaned at a young age to ill-fated marriages to a miscarriage to a forced stint in a mental institution. She was treated by many within the industry and those in the public as a joke despite the fact that she was an incredibly intelligent and articulate woman who single-handedly created her image and broke sexual boundaries becoming an early enabler for the feminists of the late-‘60s and ‘70s. She was regularly victimized by the studio system but constantly pushed back, demanding that she be treated as an equal. Marilyn was a survivor and the most tragic realization of all was that she was on her way to recovery at the time of her untimely death, perhaps only fuelling rumours that she was murdered.

            The most remarkable and unique aspect of this documentary is that the letters, diary entries and poetry are read by established actors within the contemporary film industry. The male performers present are extraordinary reading as the men in Marilyn’s life. Ben Foster, Adrien Brody and Jeremy Piven are particular stand-outs. The actresses reading as Marilyn are more hit-and-miss. Glen Close, Viola Davis and Jennifer Ehle give remarkable performances but Uma Thurman, Marisa Tomei and Evan Rachel Wood’s feel forced and false, reading their lines like acting monologues rather than personal reflections. It’s also worth mentioning Lindsay Lohan reads a couple lines successfully though her swollen lips are rather distracting. While it’s an ambitious and interesting idea to have multiple actresses read as Marilyn, it would have been more consistent had they chosen but one.

            Love, Marilyn is a courageous and unique production worth watching. It provides a different perspective on a film star that is more often parodied than actually taken seriously. If you can get past a few bad line readings by the actresses involved, this documentary will provide a well-rounded and heart-rending vision of the life and times of Marilyn Monroe.

Grade: B+

Review: Demi Lovato, "Heart Attack"




            As she approaches the release of her fourth studio album, it becomes clear to everyone that we are seeing a brand-new Demi Lovato. With her latest single “Heart Attack,” we’re being introduced to a more confident and powerful singer whose expressiveness is incomparable. In an industry full of disposable pop songs and overly auto-tuned vocals, it’s refreshing to hear a song that is carried so wonderfully by strong vocals. It’s always been obvious that Lovato was the exception to the Disney bunch in terms of talent (let’s face it, she’s got vocal chops that could demolish the likes of Hilary Duff and Selena Gomez with a single belt of a note) so it’s fantastic to see that Lovato’s years of struggling within the industry are paying off. Is it too early to say she’s a superstar?

            Her music video for “Heart Attack” takes a new approach for Lovato. She still maintains her rock edge but this time around she’s choosing to be more artistic. The video is simple and maintains a strict colourless image reflected in the black and white clothing Lovato wears throughout. We see two Demis in the video – the rock goddess draped in black with smoky eyes and confident demeanour and the fresh-faced beauty dressed solely in a white t-shirt. For those who are fans of the pop singer, they will recognize these two images as the two sides of Demi Lovato. Lovato is so admirable because she allows her fans a glimpse of both – the glamour and the reality. While the ink-like substance that punctuates the video feels far too reminiscent of the Dixie Chicks’ video for “Not Ready to Make Nice,” it still serves as a fantastic metaphor for the way in which love (and other things) can infect us and change us as witnessed by the demure white-clad Lovato being smeared by the blackness.

            It’s evident from her new song and video that Demi Lovato is moving in a new direction with her career. It’s exciting to see a young musician taking chances and stepping outside of the box granting her fans and the public an opportunity to see different sides of herself. If “Heart Attack” is any indication of what we can expect to see from her forthcoming album DEMI, I think it’s safe to say we’re in for a real treat.

Grade:  B+



“Heart Attack” is on iTunes now. DEMI will be released on May 14, 2013.
See the full video here: Demi Lovato - Heart Attack (Official Video)

Monday, 8 April 2013

Review: Kelly Rowland, Simply Deep



Following the monster record Survivor, it was Kelly Rowland who first achieved solo success apart from Destiny’s Child with her duet with rapper Nelly on his track “Dilemma.” She quickly followed this up with her Platinum selling album Simply Deep. Her debut effort served to introduce her to the masses as a solo artist and proved that she could stand independently from her band mates.



Taking elements from rock and infusing it with R&B, Simply Deep makes heavy usage of guitars and features effortless vocals from Rowland. She indulges in her lower register and stretches her vocal muscles with tracks like “(Love Lives In) Strange Places” and “Beyond Imagination.” She tackles deep subject matter with the opening track “Stole” and shows herself to be an emotive story-teller on the song painting a poignant portrait of teen suicide. Much in the same vein, Rowland is equally as introspective on most other songs on the album with the majority focusing on romantic trials and tribulations ranging from love songs (“Simply Deep”) to pained ballads of love gone wrong (“Everytime You Walk Out That Door”). The latter serves as a standout on the album and shows her range amazingly. Simply Deep also contains a few up-tempo songs such as “Love/Hate” and “Past 12” but it is “Can’t Nobody” that shines the brightest. The track’s brash and stomping rhythm commands movement and features Rowland at her sassiest. Its sound would later be imitated by Amerie (“1 Thing”), Jennifer Lopez (“Get Right”) and Beyonce (“Crazy in Love”) guaranteeing each a hit song, perhaps indicating that Rowland is more of an innovator than she is given credit for. Another standout on Simply Deep is the airy “Train on a Track.” The song served as Rowland’s final single off of the album and features sweet vocals, a weightless composition and is the album’s most viable commercial option.



While Simply Deep grants Rowland a sound unique to her independent of the one Destiny’s Child had cultivated, it fails to truly create an identity for Rowland as a solo singer. The album is bogged down by an overwhelming number of mid-tempo songs that ultimately works against it. The imbalance gives the album an ambient sound and makes it easy to tune in-and-out. It is two or three tracks too long and could have benefitted from more dance songs. Nevertheless, it is an incredibly cohesive work that does not try to please every possible listener. Its rock/R&B sound is consistent from start-to-finish. Additionally, the album contains numerous standout tracks outside of those released as singles, a feat usually not accomplished on a debut album. Overall, Simply Deep is a valiant effort by Rowland and is an album sure to please most fans of the R&B genre.

Recommended Listening: “Stole,” “Dilemma,” “Haven’t Told You,” “Can’t Nobody,” “Love/Hate,” “Simply Deep,” “Past 12,” “Everytime You Walk Out That Door,” “Train on a Track.”
Grade: B-

Welcome to Fierce Divas & Femmes Fatales!

There is very little I love more than music, movies and television. Like most people, I have plenty of opinions on these things and enjoy sharing my thoughts and musings on these subjects. I have created this blog more specifically to celebrate the women in film, music and television who have inspired me over the years. My mission is to provide comprehensive and useful reviews of female-centric works that will hopefully be entertaining. I would like to be someone whose voice is more considerate of genre and audience than your average reviewers who may not appreciate pop music or old episodes of Charlie's Angels. I hope you'll all enjoy reading what I post and look forward to hearing from anyone who may read what I have to say.