In many ways, Ayumi Hamasaki's eighth studio album Secret plays like a sequel to her 2006 effort (miss)understood. It operates within the
genres of pop and rock, with a sprinkling of ballads thrown in for good
measure. This particular album was an important one for Hamasaki. She was
expanding further into the Asian market and Secret
acted as the touchstone for what she wanted to present to her international
fans. With messages of unity, empowerment and personal growth, Secret is an immaculate album that
serves as a showcase for Hamasaki’s unique talents.
The Empress of J-Pop puts on her rockstar
crown for the first section of the album. “until that DAY…” is a satisfying
rock cut that sees Hamasaki channelling the Rolling Stones. It is an arena
ready composition with a singular stuttering guitar boosted by electronic
sounds. “1 LOVE” is sexy and fierce. A major standout on the album, Hamasaki’s
vocals are rife with attitude and are only enhanced by the electric guitar-led
arrangement. The single “Startin’” is a unique addition to the album. It blends
rock elements with hip-hop. It features an underlying scratching rhythm and has
a vaguely danceable chorus. The album’s best rock offering, however, comes near
the end. “kiss o’ kill” is an ambitious song that utilizes a gothic organ as
part of its arrangement. Reminiscent of the work found on Memorial Address, “kiss o’ kill” is dark and imposing, showing a
much different side to the pint-size pop star. Despite the abundance of rock
songs on the album, there quite a few feel-good songs as well. With “Beautiful
Fighters,” Hamasaki crafts another inspiring tune about female empowerment. The
track features elements borrowed from marching bands, namely whistling and
cheering, making it upbeat and uplifting. It is incredibly catchy and is
arguably one of her most underrated songs to date. Equally as cheerful is “Born
To Be…” It plays like a theme song for the Olympics with its over-the-top
arrangement. It is celebratory and serves as a joyful anthem on the record. The
fan-favourite “BLUE BIRD” is another delightful cut. Its airy
arrangement and summery appeal makes it effortless and timeless. Hamasaki
should also be commended for her restraint on Secret. On previous albums, she had a tendency to indulge on
ballads. This time around, there are only a couple of downtempo tracks. “JEWEL”
is a beautiful and elegant piano ballad. Despite the wintry sound of the song,
Hamasaki’s vocals are warm and inviting. The song is simple but effective.
Likewise, the titular track “Secret” is controlled to a mostly acoustic
arrangement. It is whimsical and graceful. This is enhanced further by her
full, evocative vocals. It is a flawless way to conclude the album.
Secret
continues to be one of Ayumi Hamasaki’s most
fascinating albums to date. While some would say it sticks to a familiar
formula for the J-pop superstar, it is remarkable for its simplicity and
structure. It provides a sampling of everything she is capable of in one
collection. Secret lacks filler and
features some of the most interesting songs in her illustrious career. This is a must-have for fans of J-pop!
Recommended Listening: “until that Day…,”
“1 LOVE,” “JEWEL,” “Beautiful Fighters,” “BLUE BIRD,” “kiss o’ kill,” “Secret
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