Unable to return home, Wonder Woman seeks the help of an unlikely ally to
get back to Themyscira. Venturing deep into the jungles of Bwunda, the Amazon
Princess makes a deal with her one-time nemesis Cheetah in the hopes that she
may be able to aid her in her quest. But first she must do battle against the
God Urzkartaga and free Cheetah from his divine influence.
Wonder Woman Volume 1: The Lies collects
Wonder Woman: Rebirth #1 and Wonder Woman #1, 3, 5, 7, 9, and 11,
written by Greg Rucka and illustrated by Liam Sharp.
Superficially, The Lies reads
as a deliberate retcon disguised as a storyline. It seems designed to erase the
stories that preceded it from DC Comics’ The New 52 initiative, slowly washing
away Azzarello and Cliff Chiang’s divisive take on Wonder Woman. On a deeper
level, Rucka and Sharp are restoring Wonder Woman’s mythos to a more faithful
interpretation while also keeping some of the elements that helped to modernize
the character. For instance, The New 52’s controversial take on the Amazons is excised
while Cheetah’s past as Wonder Woman’s friend remains intact. Rucka and Sharp
are to be commended for their efforts as they have a clearer understanding of
who Wonder Woman is and what a great Wonder Woman story should consist of,
which contrasts their predecessors who seemed more intent on changing the
character to suit the tastes of their audience. Furthermore, they have the
creative talent necessary for taking what amounts to a retcon and transforming
it into a well-crafted narrative.
The premise for this arc is simple enough. Wonder Woman discovers that
something is amiss in her life and uses the lasso of truth on herself to figure
out why only to find out that many of her memories are false. Now unable to
return to Themyscira, she allies herself with Cheetah to find her way home.
Along the way she does battle against a God and reunites with her former flame Steve
Trevor. It’s a remarkably breezy arc that moves along at breakneck speeds,
teasing out the mystery surrounding Wonder Woman’s manufactured memories in a
way that keeps the reader engaged. Rucka impresses throughout, especially when
it comes to the dialogue he writes for Wonder Woman. There are very few writers
out there who truly “get” her and it’s thrilling to read. While there’s a lot
of action in this arc, some of my favourite moments are the quieter ones. I
love the exchanges between Diana and Etta, as well as the romantic interlude
between Diana and Steve upon their return from Bwunda. Though I’ve never been a
big fan of Steve and Etta is rarely given much to do by contemporary writers, I
found myself genuinely interested in seeing more of them. The same could not be
said for Cheetah and Veronica Cale. The former I felt was compromised and
neutered, becoming an ally ended up diminishing why she’s such an effective
villain for Wonder Woman. With Veronica Cale, it’s essentially an instance of
Rucka trying to make fetch happen with her character. Wonder Woman doesn’t need
her own Lex Luthor. If he was intent on having a strong, independent woman
pulling the strings behind a shadowy organization, he could have gone with
someone like Baroness von Gunther or Doctor Cyber.
Liam Sharp’s art really elevates The
Lies and enriches the reading experience in a way that perhaps hasn’t been
celebrated enough. Even without the words on the page, Sharp’s work tells a distinctive
story. The way he composes his pages is cinematic and makes the reader feel as
if they are watching a movie rather than reading a comic. For one thing, his
settings are awe-inspiring. From the lush green jungles of Bwunda to the
ominous ruins of Themyscira, there’s a richness and depth to this trade that is
rarely found in comics. Sharp should also be applauded for his character work.
While there are some issues with consistency, I’m sufficiently impressed by how
unique everyone looks in this arc. Wonder Woman is vaguely reminiscent of Lynda
Carter, Etta Candy receives a much-needed makeover, and Veronica Cale looks
positively Emma Frost-ish.
Wonder Woman Volume 1: The Lies is
a great jumping on point for new readers. It’s an accessible storyline that
sheds the past few years of continuity in favour of re-establishing who Wonder
Woman is and should be. Rucka and Sharp focus on the essential elements of the
character’s mythos, trimming down her supporting cast, and giving us an
engaging and straightforward narrative. It’s certain to please both new and old
fans for this very reason.
RATING: A-
I loved your review. The thing that stuck out most to me was how you viewed Veronica's character. I couldn't put my finger on what felt off about her as I was reading but you summed it up perfectly. It's almost as if the story arch didn't even need her. The thing I loved most about this arch is the relationship and dialogue between Cheetah and Diana. When they really flushed out Barbara Anne's story and her struggles as the Cheetah, I fell for her character all over again. There were some really great moments between them I was excited to see the writers explore and process. Look forward to reading more of your reviews!
ReplyDeleteThank you for such an amazing comment! I appreciate it. Diana's relationship with Barbara Anne really did help to ground it and what they did in the proceeding volume added further layers to that.
Delete