Monday, 6 August 2018

Review - Avengers/X-Men: Bloodties


Tensions between the human and mutant populations on Genosha have reached their peak. The Avengers have been instructed to stay away from the island nation out of fear that they may interfere with attempts at diplomacy. They ignore this order for personal reasons – the daughter of the Avengers Crystal and Quicksilver has been kidnapped and taken to Genosha by the fanatical Fabian Cortez. They infiltrate Genosha and team-up with the X-Men to rescue the innocent girl caught in the crosshairs of the human-mutant conflict.

Avengers/X-Men: Bloodties collects Avengers#368-369, Avengers West Coast#101, X-Men #26, Uncanny X-Men#307 and Black Knight: Exodus #1, written by Bob Harras, Dann Thomas, Fabian Nicieza, and Scott Lobdell. It includes art by Steve Epting, Dave Ross, Andy Kubert, and John Romita Jr.

Bloodties largely builds upon storylines set in place in the X-books, such as Mutant Genesis and Fatal Attractions. A desperate Fabian Cortez has lost his place among Magneto’s Acolytes and seeks to make a name for himself by kidnapping Magneto’s human granddaughter. He’s completely unhinged and is living in fear of retribution at the hands of the immensely powerful Exodus. This places him directly in conflict with the X-Men and the Avengers, who join forces in order to stop him. Since the narrative depends so heavily on previous X-Men arcs, it feels as if the Avengers have been dropped directly into the X-Men’s world and are forced to deal with issues they otherwise would be oblivious to. They’ve long stayed away from fighting for mutants and protecting them, but here they see what their inaction has resulted in – extremism on both the human and mutant sides. Since the Avengers are an officially sanctioned organization that has to follow the orders of certain authorities, it creates an interesting contrast against the X-Men. Xavier’s mutant band of heroes are freedom fighters who are able to fight for what is right without being entangled in any bureaucratic red tape. The opposite is true of the Avengers. They’re reactive and are essentially weapons pointed at whatever big problem governments may have.

The character who stands above the rest in this crossover is Crystal. With her daughter Luna in the arms of a maniac, it is her desire to rescue Luna that drives the plot forward and gives the arc its emotional throughline. She’s portrayed as a mother unwilling to sacrifice or compromise in finding her child, which means that she has ignore the orders the Avengers have been given from the authorities and infiltrating Genosha. We get a lot of great character moments between Crystal and some of the other cast members. She and her estranged husband Quicksilver put aside their differences to work together. Furthermore, Crystal spends the bulk of her time with her sister-in-law Scarlet Witch by her side. I really love their dynamic as Wanda’s sisterly concerns and supportiveness help to counterbalance Crystal’s more frenetic state of mind. Another character that manages to steal the spotlight is Sersi. In the middle of this crossover, she has an explosive battle against Exodus. It’s intense, vibrant, and showcases just how powerful Sersi is. It’s quite possibly the most memorable scene from this arc.

The art for this crossover is surprisingly very consistent, even though there were multiple artists working on it. Steve Epting and Andy Kubert’s work is really quite similar. This provides a similar aesthetic between the Avengers’ main title and the adjectiveless X-Men book. I’m fond of their styles as it’s very streamlined and the uncomplicated nature of their pencils allows for the colours to truly pop on the page. They’re also very expressive artists and excel at capturing all kinds of emotive states. John Romita Jr. has a style all his own, but it works in tandem with Epting and Kubert’s pencils. It’s a little more sophisticated and kinetic. Romita Jr. is especially fond of doing splash pages, which can be really effective for action sequences. Dave Ross is probably the weak link of the bunch. His artwork in the pages of Avengers West Coast is passable, but feels very ‘90s. The lines aren’t as crisp and clean, while characters often look permanently angry.


The ‘90s was a decade that provided crossover after crossover for the X-Men books, many of which were overdone and overstuffed. Avengers/X-Men: Bloodties is a nice change of pace in comparison. With just five parts to it, it’s a shorter crossover and places its focus on the characters affected most by Fabian Cortez’s actions. This gives this arc a more intimate feel to it and also ensures that its personal approach to storytelling elicits sympathy and engagement from the reader. Bloodties has a lot of memorable action sequences too. The Sersi vs. Exodus brawl alone is spectacular. Crossovers between the X-Men and the Avengers are rare, so Bloodties is a really nice treat and one that fans of both teams should check out.

RATING: B+

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